Welcome toThe Painting Lessonby Linda Carson
big black pig studio
Complementary ColoursMarc Chagall once said:
The most important relationship in all of colour theory is the complementary colours. Think of the complements as being "opposites."
It's not an exact science. Most bluish colours are complemented by anything orangey. Set off cobalt blue with burnt sienna, a reddish-orangey brown, for example. It's worth memorizing the three pairs of complementary colours:
Why do we care? Complementary colours, used side by side, accent each other. Think of a room decorated entirely in beautiful blues. Sounds lovely. But boring. Now, imagine adding a chunky terra cotta jug or a sunny coral throw rug, and the whole thing comes to life. A little too lively for you? Well, complementary colours, mixed together, tone one another down. Is your banana looking too gaudy? Mix a teensy smidge of (surprise!) purple into that yellow, and you'll get a tasty butterscotch colour that makes a much more convincing banana peel. Turn red into a smokey burgundy by adding a touch of green. You can even use complementary colours to fix yesterday's work. Your pumpkin's looking too orange and not pumpkin-y at all? Try laying a thin sheer coat of blue over it (that's glazing) and soften the colour. P.S. Spell it right. It's not the same thing as a complimentary drink (which is free) or a complimentary comment (which is flattering).
Note:
Art & Text (C) Linda Carson 2002
Loosely translated, that means:
|